A fascinating new work by Ulla Viotti further enriches Kivik Art Centre’s stunning site in Scania. Bibliotheca – archaeological library is the title of the 2.5-metre tall and six metres in circumference, cylindrical brick sculpture that invites visitors to reflect on literature, art and crafts. Viotti has always been passionate about ceramics of every kind, and has worked closely for many years with Petersen Tegl, which produced the bricks for her new piece. The sculpture – a tribute to literature – uses 10,000 handmade, blue-tempered bricks to form shelves and books, the spines of which are engraved with the names of authors related to this part of Sweden.
Ulla Viotti’s new sculpture joins the ranks of works created for Kivik Art Centre by people like David Chipperfield and Antony Gormley, Petra Gipp, Gert Wingårdh and Snøhetta.
Bibliotheca - archaeological library was inaugurated in bright sunshine on June 23 at a nice reception attended by several hundred happy and enthusiastic guests.
“Bricks are created from clay, water and fire, and with their natural richness of colour and tactile qualities they can imbue a room with a special atmosphere,” writes architect and professor Thomas Bo Jensen in the foreword to Brick Inside, published by Petersen Tegl in May this year.
The book’s 230 pages present 59 widely differing interiors that employ many types of bricks and tiles in various ways to create inviting spaces and distinctive elements in rooms.
With his exciting exhibition, Sense & Sensuality, A kitchen for the near future, at IMM in Cologne in January, Alfredo Häberli focused on the kitchen and its role in the home.
Food and cooking have always reflected human culture and civilisation. Overpopulation, climate change, scarcity of resources and many other problems currently facing the planet will increasingly influence our view of food and nutrition. Designer Alfredo Häberli believes that the breadth and depth of these problems mean that we risk losing some of the quality of life associated with food.
The exhibition was divided into four layers, the first of which was a floor made of different bricks from Petersen Tegl. The second layer consisted of abstract architecture expressed via simple, bold, green elements. The third, “Everyday Life”, presented familiar objects like tables and chairs, but curated in surprising ways. The fourth and final level required visitors to take an active role. They were asked to use the QR codes dotted around the exhibition to download an app onto their smart devices. After scanning the symbols, their screens displayed a range of new and highly innovative kitchen utensils designed by Häberli.
The Swedish ’Tegelakademin’ presented Christian A. Petersen with the award on Monday 10 December with the words ”Christian – you’re the Mozart of bricks”. The award was given to the brickworks owner for his role as ambassador for bricks and for his innovative approach to bricks and other building materials. Klas Sundkvist, the academy’s chairman, said further: ”Today, another award ceremony is taking place, namely the Nobel Prize ceremony in Stockholm. In Broager it’s about the Nobel Prize of bricks!” After speeches and the ceremony, the festive event was celebrated with a joint lunch for all the brickworks’ employees.
Petersen Tegl has been present in the Swedish brick market since the early 90s. Since 2013, the marketing has been handled by the company’s subsidiary, Tegelmäster, which is based in Malmo.
The Tivoli Corner, designed by Pei Cobb Freed & Partners Architects, has won a 2018 American Architecture Award – one of America’s most prestigious recognitions of new architecture.
The American Architecture Awards are described as “the nation’s largest public awards, given by a non-commercial cultural and educational institution without affiliations with the industry”. They are given by The Chicago Athenaeum Museum of Architecture and Design and The European Centre for Architecture, Art, Design and Urban Studies.
The Tivoli Corner opened in November 2017 and includes 21 new rooms in the Nimb Hotel, Tivoli Food Hall and several restaurants. The part of the building facing Bernstorffsgade and Vesterbrogade is constructed as two wavy glass bands with incorporated vertical lamellae. For the part of the building facing the amusement park itself, Pei Cobb Freed & Partners Architects wanted to use Denmark’s natural materials to express the history of the park. Accordingly, the architects took inspiration from Denmark’s long brick-building heritage. To create the right stone they turned to Petersen Tegl, and in collaboration with Tivoli and the brickworks they developed a special version of Petersen Cover. The yellow shades of the stones match both Nimb Hotel and Tivoli’s main terracotta entrance and thereby form a harmonious element in Tivoli.
The Tivoli Corner was recognized for its design, functionality, aesthetics and sustainability in the award category of “mixed-use buildings”. The prize was awarded in June this year.
The installation includes life-size sections of the brick cladding for the Z33 extension.
Petersen Tegl is supporter of Francesca Torzo Architetto’s participation in the 16th International Architecture Exhibition of La Biennale di Venezia FREESPACE, curated by Yvonne Farrell and Shelley McNamara.
Francesca Torzo’s exhibition in the Arsenale is one of the many fascinating projects presented at the Biennale this year.
When the curators, Yvonne Farrell and Shelley McNamara, invited the Italian architect to exhibit, she quickly made up her mind to concentrate on a single project, her extension to the Z33 House for Contemporary Art in Hasselt in Belgium due for completion in 2019.
Torzo and Petersen Tegl produced a customised, rhombus-shaped brick for the project. Handmade from a combination of German and Danish clay, it is used to clad exterior walls at Z33. For Biennale Architettura, the architect has opted to exhibit life-size sections of cladding along with models of the building on a 1:5 and 1:10 scale and other items from the project. The result is a wonderfully poetic exhibit in beautiful harmony with its surroundings in the grandeur of the Arsenale.
The winners of the 2018 Häuser Awards were revealed in the April/May issue of Häuser magazine.
The first prize in Häuser magazine’s competition to find Europe’s most beautiful single-family home was awarded to a house in Schleswig-Holstein made of bricks from Petersen Tegl.
“With its gable roof, dormers and Danish bricks, the house clearly reflects the region’s architecture. At the same time, with its sharp silhouette and large windows, it’s very obviously a contemporary house.”
These were the words of the jury when the results of the 2018 ‘Häuser Awards’ for Europe’s best single-family houses were published in the April/May issue of Häuser magazine. The first prize went to a house the architects Malte and Silja Timm designed for themselves in Husum, Schleswig-Holstein. The jury highlighted the house’s authentic materials and excellent layout, which get the very best out of 150 m2 in a plot of just 466 m2.
Malte and Silja Timm have great respect for Danish building culture and chose D48 for their dream home. Their veneration and knowledge of Danish materials and design stems from living in Denmark for a number of years, during which they worked as architects for the Danish architect Dorte Mandrup.
Wienerberger Brick Award 2018: Petersen Tegl has supplied bricks for six of the 50 nominated projects.
50 nominations – from an initial pool of 600 submitted by 44 countries – are competing for the five categories in the renowned international Wienerberger Brick Award 2018.
The eighth Wienerberger Brick Award will go to buildings that stand out as examples of modern and innovative brick architecture. The winners will be announced at the big official Brick Award Show in Vienna in May. Petersen Tegl is delighted to have supplied bricks for six of the 50 projects in four countries, namely:
Denmark: The Carlsberg Foundation Researcher Apartments, Frederiksberg by Praksis Arkitekter.
Kannikegården, Church Hall, Ribe, by Lundgaard & Tranberg.
Villa Platan in Aarhus, by Adept Arkitekter.
Germany: The European Hansemuseum, Lübeck, by Studio Andreas Heller Architects & Designers.
Switzerland: Kunstmuseum Basel, by Christ & Gantenbein.
Sweden House Juniskär, Sundswall, by Hermansson Hiller Lundberg Arkitekter.
Happy award recipients: Peter Thostrup, client representative and Head of Secretariat of the Carlsberg Foundation, and Mads Bjørn, architect, with Mette Tony, founder of Praksis Architects.
The new building in the Carlsberg Quarter in Copenhagen, designed by Praksis Architects, were among the recipients of the awards made by 'the Association for the Beautification of the Capital' on 6 December.
The association was founded in 1885, and since then, its aim has been to "promote the beautification of the capital city”. This year’s ceremony took place in ‘Bygningskulturens Hus in Copenhagen. The architect Mads Bjørn and the Head of Secretariat at the Carlsberg Foundation Peter Thostrup representing the client, expressed their gratitude for this well-earned award.
The researcher apartments, mentioned in the latest edition of Petersen magazine, are exceptionally well-integrated in the historical Carlsberg area. The building is a contemporary curtain-wall building, but with brick façades in a pattern of slanting bricks, a so-called sawtooth bond. This gives the building the gravitational effect of a historical, all-brick building, and the result is extremely beautiful. The brick used is a specially-developed light brick from Petersen Tegl.
The other projects that received awards were the Mærsk Tower, designed by C.F. Møller Architects, Axel Towers, designed by Lundgaard & Tranberg Architects, and The Silo, designed by COBE. The flower meadow on Amager, established by the City of Copenhagen, received a special Beautification Award.
The museum’s perforated brickwork provides natural ventilation and a beautiful play of light and shade.
Then again, not many bricks were brought into the world by an internationally renowned architect. The brick in question is, of course, Kolumba – which first saw the light of day a decade ago, when the Kolumba Museum opened in September 2007.
Peter Zumthor wanted a special type of brick in a Roman format for the museum, which integrates the chapel Madonna in den Trümmern, Roman ruins from the 1st century CE, and church foundations from 9th and 13th centuries. The brickworks in Broager submitted a proposal and, after months of experiments with colours and firing, the delicate, pale-grey brick was approved.
Before the museum was completed, the Danish architects, Lundgaard & Tranberg, refined the brick product. The result was a hard-fired Kolumba in dark, earthy colours for the Royal Danish Playhouse in Copenhagen.
The Kolumba range now includes 28 different colours and is sold in 43 countries on five continents.
40,000 scouts participates in in the Scout & Guide Jamboree in Sønderjylland.
40,000 scouts from all over the world have the opportunity to work with bricks right now. It is happening 22-20 July in the Scout & Guide Jamboree in Sønderjylland – so far the biggest jamboree in Denmark.
Fired clay is of huge significance in Southern Jutland. Two brickworks in the region, Petersen Tegl and Egernsund Tegl, have therefore joined forces to put on a special organised activity ,‘’The Brickworks’’, for the scouts who are between the 10-17 years old.
Every day throughout the Jamboree, scouts, guides and visitors can engrave their names or drawings into bricks. The activity is happening in a big , white tent.. Inside the tent are placed long banners featuring photos, drawings and text about the history of brick and information about the production of brick.
After the Jamboree, the finished bricks will become part of a permanent monument called “The Boot” – a 20-metre high building shaped like a boot and with a thatched roof. The bricks will pave the floor of this future visitor attraction. In years to come, scouts and guides who attend Jamboree 2017 will be able to visit their own personal bricks – they will have left a lasting impression!
Benedikt Wechsler hosted a pop-up embassy in the Democratic Café on Krystalgade on 19 May
Taking so-called pop-up embassies out into town is one of several unconventional initiatives launched by Benedikt Wechsler since he took up his post as the Swiss ambassador to Denmark in 2015.
The Danish Design Centre recognises the phenomenon as a design concept, and this year it was nominated for the Danish Design Awards. The jury stated:
“The pop-up embassy represents a completely new way of creating embassies, as well as an attempt to foster a cultural change whereby diplomacy moves out to the people instead of hiding in guarded domiciles. The project is a piece of social design in keeping with contemporary demands for transparency, and can be perceived as part of a larger movement away from elitism, exclusiveness and bureaucracy. The idea is innovative and bold, and can serve as an inspiration for other public bodies and authorities that want to get closer to their users and citizens.” The pop-up embassy was developed in cooperation with Urgent.Agency and was nominated in the category Message Received, Game Changer.
Among the embassy’s other creative activities to promote cultural and commercial relationships are “Architecture in Residence” and the “Pavillion Society”, whose members – including Petersen Tegl – work with the embassy on projects with other businesses, universities and schools.
The new Flos showroom is situated in Sydhavnsgade 28, Copenhagen SV.
In early spring this year, designer lighting retailers Flos Scandinavia opened the doors to their new showroom in Sydhavnen, Copenhagen.
The 500-m2 former tractor-repair workshop has been transformed into a highly inspiring exhibition space of international calibre. Behind the transformation is the multidisciplinary design firm OEO Studio, founded and headed by Thomas Lykke and Anne-Marie Bueman.
The renovation project preserved several of the large rooms’ original spatial and material features, and combined them with a new display system and new architectural elements. The result is a beautiful and inspiring whole that functions extremely well as a setting for the Flos lighting range. Among the new elements is a dramatic, sculptural staircase that acts both as a room divider and display stand for table lamps. Another element is a small house that showcases domestic lighting. Clad in Cover in shades of grey, the house interacts in a highly convincing manner with the raw concrete character of the space.
The Danish daily broadsheets Politiken, Boersen, Berlingske Tidende and Jyllands-Posten all carried a full-page ad in January featuring two members of the production staff at Petersen Tegl and the words 75,000 – THANKS.
The campaign was launched by the Danish Export Credit Agency, which has been generating growth and creating jobs in Denmark since 1922.
In 2015, the Agency helped Petersen Tegl fund a new brickworks to help meet demand for Kolumba.
The company was delighted to receive this support - much like the other 800 companies the Agency has helped in the last five years alone to land orders worth more than DKK 125 billion and keep some 75,000 jobs in Denmark.
The campaign was designed by the marketing agency Fireball. Møllebro & Dreyer took the photo for the ad, as well as a range of evocative images on display below alongside the ad.
A crack in the body of the building marks the entrance to Kunstmuseum Basel.
In early December, Oliver Wainwright, The Guardian’s architecture critic, announced his top ten most interesting buildings completed in 2016.
At number four is Kunstmuseum Basel, designed by Christ & Gantenbein, for which Petersen Tegl supplied two types of brick in different shades of grey.
Wainwright wrote: “Standing at a crossroads in the centre of Basel like a big chunk of rock freshly hewn from the Alps, the new Kunstmuseum has a suitably geological weight for a building that houses the oldest municipal collection of art in the world. The sharply chiselled edifice uses three shades of brick to give a stratified, sedimentary quality, while the galleries are designed as a suite of intimate rooms. It is a refreshing departure from the prevailing fashion for big, open-plan halls.”
The list also includes Tate Modern Switch House in London and Hamburg Elbphilharmonie, both designed by Herzog & de Meuron, 432 Park Avenue, New York, designed by Rafael Vinoly and the Palestinian Museum, Birzeit, by Heneghan Peng.
Tegelmäster’s new meeting room has plenty of daylight and is furnished with Danish classics, e.g. the Wishbone chair designed by Hans J. Wegner and the PH 5 pendant designed by Poul Henningsen.
The effects of the growing number of impressive, brick buildings in Sweden have been felt by Tegelmäster, the market leading consultant and supplier of brick, lintels, sliding layers and consoles.
A combination of the wide product range of bricks due to joint ownership by Egernsund and Petersen Tegl and the continuous growth the company has enjoyed since it was founded in 1999 meant that Tegelmäster was gradually running out of room at its premises in Bara.
As a result, the 23 staff, including its eight-strong sales team, has moved to new headquarters – a 750 m2 building on Olsgårdsgatan 15 in Malmö.
The new HQ opened on 12 October, when partners and friends were invited to a celebratory lunch. Tegelmäster looks forward to seeing them all again next summer for a major outdoor exhibition of sample walls.
The X shaped building, is located in the center of Lodz surrounded by a small park. Photo: Piotr Piątek.
Petersen Tegl supplies bricks for 40 countries worldwide, and the market is constantly expanding. Poland, where Petersen cooperate with Centrum Klinkieru Schütz, is one of the newer markets in growth.
One of the latest buildings in Poland built with Petersen bricks, is commisioned by the company Ericpol in Lodz in the middle of Poland. The building contains Ericpol’s software development and employs 800 people. Horizone Studio designed the building which was inaugurated in 2015.
The new building, located in a beautiful small park with large trees, is formed in a modern design and comprises 12,000 square meters. The building is formed as two wings that make up an X connected with a glass lobby. It was crucial for the builder and architect that the building exudes quality, that all materials have a long life and will age beautifully. As we know, masonry meets the demand for long life, and the decision was made to clad the building with a light, gray Kolumba. The four gables, terminating the opposite ends of the X, use large horizontal windows. The facades in the longitudinal direction are performed as glass panels in a rhythmic modulation. The area around the house is covered with granite stones.
This year Ericpol’s building received the prestigious 'SARP Award', given to the best architectural building in Poland. The award is given by 'the Association of Polish Architects (SARP).
The pavilion, designed by Ladner Meir Architecten, is part of the Swiss Embassy.
In late May Copenhagen once again formed the setting for 3daysofdesign where companies and organizations in the industry welcome you. This year, Petersen Tegl – in cooperation with the Swiss Embassy – was part of the popular event.
Since the highly dynamic Ambassador Benedikt Wechsler came to Denmark last year, he has attached new strong contacts between Denmark and Switzerland, not least in the field of design and architecture.
On the occasion of 3daysofdesign Wechsler had asked designer Alfredo Häberli refurbish the embassy, which is also the home of the Wechsler family, so the house now only offers the best of Swiss designed or manufactured furniture design.
The 600 guests who visited the embassy during the three days, also had the opportunity to inform themselves about the latest that has happened on the Swiss architecture scene. In text and images one could experience the extension to the Kunstmuseum Basel, inaugurated in April. The building was designed by Christ & Gantenbein, who chose coal-fired bricks from Petersen Tegl to the building's facades.
The Kunstmuseum Basel exhibition was located in a pavilion that is a result of another collaboration between the two countries. The pavilion is designed by the Swiss architects Ladner Meier, who have offices in both Zurich and Copenhagen – and who incidentally also have used Petersen bricks for projects in both Denmark and Switzerland.
The two buildings are located on a hilly site with large pine trees.
On April 21 the prestigious Norwegian Masonry Award was given to a housing project, designed by architects R21, about 8 km west of Oslo.
The award which is given by Norsk Murforum / Byggutengrenser in cooperation with Norwegian architects’ national federation aims to stimulate and develop the use of good masonry in Norwegian buildings.
This year's winning project consists of two square blocks situated on Furulundsveien in Ullern located near a timber house from 1962 on a hilly site with large, old pine trees. The architects chose brick to create a clear distinction between the new buildings and the existing villa. The masonry is made of D96 in different bonds and reliefs to create a play of shadows and in order to break down the buildings’ volumes. The balconies are clad with C96, which emphasizes them as lighter elements.
"This year the jury received a record number of proposals for the Masonry Award. Eventually we chose the housing project on Furulundsveien, which is distinguished by outstanding architecture, superb craftsmanship, and clever adaptation to the environment," said jury leader, Ole H. Krokstrand in his speech at the award ceremony.
Petersen Tegl A/S received the Danish Industry Initiative Price HRH from Prince Joachim.
On 20 January, Petersen Tegl was given a coveted recognition, namely DI's Initiative Award, presented by HRH Prince Joachim at Danish Industry's annual conference for small and medium sized enterprises in the House of Industry in Copenhagen. A total of 19 companies, all of which have received DI's regional initiative Prizes in 2015, were nominated for the award.
"This year's winner has managed to bring several hundred years of experience, knowledge and craftsmanship within our era. The company distinguishes itself through a unique ability to see opportunities and put words into action. It makes things a little better and different than others, and also it has the courage to try new things," said HRH Prince Joachim, among other things, before he revealed the winner.
DI's CEO Karsten Dybvad motivated the choice of laureate with these words: "Petersen Tegl has unique products and is ready to develop and experiment to meet customer needs. Therefore, the company is able to sell bricks at far higher prices than the competitors. The brickyard has found its own niche and is a frisky business despite its over 200 years."
Building built in Kolumba receives the Brick Award
The Turnmill Building, designed by Piercy&Company, receives the Brick Award.
The Brick Development Association hosted the Brick Awards in London on 18 November. Turnmill Building (described in Petersen no. 32) received the award in two categories: 'Best International & Worldwide Project' and 'Specialist Brickwork Contractor of the Year' in which the construction company, Swift Brickwork Contractor Ltd, received the award for the Turnmill building.
The Turnmill Building, designed by Piercy&Company with Derwent London as a client, was completed last year. The exceptionally beautiful building is located in the historic Clerkenwell in London, and architects and client did a huge work in architectural design and adaptation to the environment. And here played the choice of materials a very central role.
Among many demands the building should live up to its predecessor on the site, a stable built in the late1800s in several floors, which originally housed the London Underground workhorses. Likewise, the new building adapted to the neighboring, listed Session House, built in 1780 in sandstone in various shades of gray.
The solution was to develop the handmade Kolumba in three bright shades, F56, F58, F59. The three bricks were mixed and constitute the facades’ delicate, finely woven masonry. We highly recommend visiting the Turnmill street!
A number of old lime trees stand both within and outside Maggie's Centre.
Projects in brick nominated for architecture awards
At the brickworks we are pleased to have delivered bricks to a number of projects nominated for various awards in 2015. Maggie's Centre in Lanarkshire, Scotland, designed by Reiach & Hall was nominated for the prestigious RIBA Stirling Prize, awarded in October in London. The prize went to Burntwood School, in Wandsworth, London by Allford Hall Monaghan Morris.
18 November The Brick Development Association in London gives out this year’s prizes for projects using bricks in a particularly excellent manner. In the category 'Best International and Worldwide Project' three out of nine projects are built in brick from Petersen: Maggie's Centre Lanarkshire, built in D71 and K71, is nominated for this prize as well (Mentioned in Petersen no. 32). The housing project, West Burn Lane in Fife, Scotland, designed by Sutherland Hussey Harris and built in D71, is also among the nominees. And so is the Turnmill building in Clerkenwell. London, designed by Piercy&Company, built in three special colors Kolumba (Mentioned in Petersen no. 32.)
Clay Keramik Museum Danmark (Clay Pottery Museum) on the island of Funen, reopened on May after a shutdown period of two years.
Clay Keramik Museum Danmark (Clay Pottery Museum) is the name of a museum in Middelfart on the island of Funen, which after a shutdown period of two years reopened 20 May this year. The reopening marks the inauguration of a new branch of the museum, a new building, designed by the Danish architectural firm, Kjær and Richter. The new building was built with a facade of brick elements in varied, reddish brown color, provided by Petersen Bricks. The brick elements in the facade occur in three different sizes and are used as slats carried by pivoting steel frames that can be placed in different positions. Clay Pottery Museum Denmark houses a permanent exhibition including a large collection of Royal Copenhagen porcelain, but also offers alternating theme exhibitions. The opening exhibition Brandes & Bindesbøll – Bonds & Breaks shows the works of two Danish artists who have created important ceramic pieces many years apart. With his position as an groundbreaking ceramic pioneer in the late 1800s, Bindesbøll ceramics represent a source of eternal inspiration. Not least for one of our greatest living artists, Peter Brandes.
On 5 May, Tegelmäster in Bara had invited business partners and other friends of the house.
The occasion was the new exhibition of Petersen Tegl products incl. walls with Kolumba, D bricks and Petersen Cover, which can now be seen in the garden at Tegelmäster. Approximately 65 guests – including many architects – had accepted the invitation with subsequent lunch.
The atmosphere was good, and the talk went crisscross on both floors until the party ended around four o'clock Petersen Tegl has been co-owner of Tegelmäster AB since 2013. The two other owners are Egernsund Tegl og Bara Mineraler. Tegelmäster, which is market leader in brick, lintels and consoles, experience an expanding range of exciting brick projects
Petersen Cover is available in 14 different colours and in two sizes: 528mm x 170mm x 37mm and 528mm x 240mm x 37mm.
“This is how bricks should be made; this is a beautiful handmade product. I would use this.” Said Jury member and Brendon Moss when the jury of World Architecture News Award (WAN) awarded Petersen Cover the best product in the category Product Innovation/Facades 2014.
The prize for product design often goes to a high-tech solution, which makes it all the more remarkable that WAN chose to honour a brick product among the many nominations from all over the world.
The first brick was produced from water and clay in Mesopotamia around 3000 BC, and has hardly changed since then.
Petersen Cover is also made of clay and water. Like other Petersen bricks it is handmade using wooden moulds in a process that has changed little for hundreds of years. The innovative aspect is the design. Unlike traditional brick, Petersen Cover doesn’t require mortar and trowels. Petersen Cover is attached – firmly and with precision – to the underlying steel or wooden structure of the façade or roof. Installation is quick, simple, vandal-proof and not dependent on the weather.
Unlike traditional brick, which is laid with mortar, Petersen Cover is removable and infinitely recyclable. The absence of joints makes finished surfaces 100% maintenance free. Petersen Cover was developed in corporation with creative architects. Min2 Architects developed a prototype for their villa in Bergen aan Zee in the Netherlands and the Danish architects, Lundgaard & Tranberg, developed it further for Sorø Art Museum in Denmark. The combination of English and German clay makes Petersen Cover extremely strong and water resistant. It is available in 14 different colours and in two sizes: 528mm x 170mm x 37mm and 528mm x 240mm x 37mm.
The WAN jury had the following to say about Petersen Cover: “Petersen Cover is a new building product that bestows a distinctive and modern look whilst retaining all the familiar advantages of traditional brick. Due to the structure of the handmade brick, façades and roofs look beautiful, rustic and exclusive when covered with the new product.”
A single round concrete column supports the dark cover over the entrance
Petersen no. 31 is released and the print run of 97,000 copies are distributed to architects, builders and other stakeholders worldwide.
"A stone in the forest" Johan Celsing called his daring competition proposal for the new crematorium at Skogskyrkogården in Stockholm, with its buildings by Gunnar Asplund and Sigurd Lewerentz long since on the UNESCO World Heritage list. In the latest issue of Petersen we tell about Celsing’s new crematorium built in Kolumba.
We also present Petersen's first Australian project, a villa in Melbourne designed by Robert Simeoni, built in K55.
To their extension to the railway station in Bad Homburg architects Mailänder Consult searched for just the right brick and chose K46 to match the red sandstone, which the original imperial station from 1907 is built in.
To a large villa near Utrecht Petersen Brick produced three different Kolumba in special lengths of which the longest is 920 mm long. The architect is Hilberink Bosch Architecten, who over the years has used Petersen products in a number of projects.